In one of the strongest box office weekends of 2015 so far, both Home and Get Hard opened strong while Insurgent and Cinderella continued to perform well. This was the rare weekend that literally offered something for everyone, with R-rated comedies and animated family fare exceeding expectations.
When Sony finally put a bullet in the dying (suffering!) Amazing Spider-Man series and agreed to team up with Marvel Studios to bring Spidey into the Marvel cinematic universe, the internet rejoiced for about two seconds. And then it got all grumpy and weird and slightly racist, but that’s just the internet for you. Well, get ready for everything to grumpier and weirder and slightly more racist because Marvel is supposedly deep in their search for the new Peter Parker right now and one of the names on their list has been revealed.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
Suddenly, Disney’s upcoming live action version of Beauty and the Beast is looking like a very wise move. After all, their new take on Cinderella shook the box office out of the doldrums, launching with numbers that feel more at home with the summer than March. Yes, it even took down that might spring movie season titan Liam Neeson.
If you’re like us, you’ve already watched the new trailer for Avengers 2 a dozen (or a hundred) times, breaking it down by shot-by-shot and creating gifs and everything. Well, it turns out that we are not alone in our borderline psychotic anticipation for Marvel’s next epic team-up movie. The trailer has shattered records, garnering more views in 24 hours than any other trailer in internet history.
Whenever SNL breaks out the “guest host answers audience questions” template for the opening monologue, it feels like a sign that the writers waited until the last possible moment to write this bit and couldn’t come up with anything better. And yet, when they use this formula for Chris Hemsworth, it works for one reason and one reason alone: their guest host has a couple of famous (and not-so-famous) brothers who can join him on stage.
With some of the year’s biggest movies only a month or two away, the box office seems to have entered a holding pattern. Some of the new releases are minor hits. Others crash and burn. Right now, Hollywood just seems to be crossing their fingers and hoping for the sweet, sweet summer movie season to come along and save them (or at least the April release of Furious 7). In other words, every new release underperformed this weekend.
It’s an undisputed scientific fact that Beauty and the Beast’s Gaston is the greatest villain in the Disney animated canon. After all, we’re talking about a guy whose theme song is all about how many eggs he eats and how every last inch of him is covered in hair. Sorry Maleficent, you have nothing on this guy. So, the news that Luke Evans has been cast as Gaston in Disney’s upcoming live action take on Beauty and the Beast has us feeling awfully judgmental. Sure, Evans is a good actor, but is he Gaston good?
The internet will never stop arguing about when it is okay to show films with explicit content to children. But, there is one thing that we’re pretty sure everyone can agree on: showing the violent and disturbing The ABCs of Death to five classes of unsuspecting students is an act of irresponsible idiocy on just about every conceivable level. Columbus, Ohio substitute teacher Sheila Kearns was rightfully let go from her job back in 2013 when she screened the film for her substitute Spanish classes, but the courts have handed down an additional punishment: 90 days in jail.
After six years, one of the Oscars’ boldest (and most desperate) experiments may be coming to an end. In 2009, the Academy Awards changed its rules to allow up to 10 films to receive Best Picture nominations. The thought process was simple enough: with double the potential nominees, more mainstream fare could get nominated and ratings for the annual Oscars telecast would increase. But that didn’t work. This year’s ceremony was a disaster (in more ways than one) and the Academy is apparently ready to call this whole thing off and return to the old ways.
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